Sheraton-influenced furniture dates from about 1790-1820. It’s named for the London furniture designer and teacher Thomas Sheraton (1751-1806), who trained as a cabinetmaker, but is known for his written guides, especially his first, The Cabinet-Maker and Upholsterer’s Drawing-Book. His designs and ideas influenced entire generations of furniture-makers, especially in the young U.S., as seen in the works of early American masters such as Duncan Phyfe, Samuel McIntire, and John and Thomas Seymour.
Sheraton Style Legs:
In contrast to the popular cabriole legs of earlier styles, such as Queen Anne and Chippendale, Sheraton pieces usually have straight, sometimes tapered, legs; occasionally the back legs would be splayed. They are often rounded (another distinction from Hepplewhite, who preferred a square shape), and frequently have reeded edges, in imitation of Classical columns. They are joined sometimes with stretchers.
Sheraton Style Feet:
Complementing the slim, straight legs of a chair or table, Sheraton-style feet are usually simple: a rectangular spade foot, a cylindrical foot or a tapered arrow foot. Bracket or bun feet might appear on heavier pieces, such as chests, desks and bookcases.
Woods Used in Sheraton Style Pieces:
Because Sheraton furniture is characterized by contrasting veneers and inlays, pieces often contain more than one type of wood. For the base, satinwood was a favorite, but mahogany and beech were also popular. For the decorative elements, common woods included tulipwood, birch, ash and rosewood. Since craftsmen frequently used the local woods at hand, American versions of Sheraton’s designs might use cedar, cherry, walnut or maple as well.
Other Sheraton Style Features:
Sheraton is known for its light, elegant appearance, especially delicate compared to earlier Queen Anne and Chippendale styles.
Pieces are embellished with small, low-relief carvings or painted designs, along with intricately patterned and detailed marquetry and veneers, often in dramatically contrasting woods. Some pieces are completely painted, dyed, or japanned (coated with a thick black lacquer).
Common motifs include drapery swags, lyres, ribbons, fans, feathers, urns and flowers.
Typical hardware on case pieces includes lion’s heads, stamped plates, rosettes and urns.
Pieces have simple but strong, well-proportioned geometric shapes, usually square or rectangular. Sofa and chair arms often flow cleanly into the back, without a noticeable break, and the backs themselves are square-shaped. The square-back sofa with exposed arms and reeded legs (see photo) is perhaps the quintessential Sheraton piece.
Sheraton is credited with popularizing the placement of gathered silk behind the glass doors of bookcases, cabinets and sideboards. He had a penchant for including secret drawers and mechanisms for sliding sections on secretaries, tables and desks.
Later Sheraton Styles:
Sheraton’s later books, especially The Cabinet-Maker, Upholsterer and General Artist’s Encyclopedia published in 1805, show a shift in his style, towards the developing Empire mode: the designs are heavier, gilded, with more solid turned legs, and even claw feet. Cane or rush seats retain some of the lightness of his earlier pieces.
British furniture manufacturers began reviving Hepplewhite styles in the 1880s. Though many have become collectibles in their own right, these mass-produced reproductions tend to lack the lightness and intricate detail of authentic period pieces.
In a sense, Hepplewhite furniture has never gone out of style. Features such as the straight back and reeded legs, along with the ideal of a balanced, symmetrical shape, remain standard in classic furniture design.
So, when looking at the furniture of Thomas Sheraton these are the primary elements to look for:
1. The legs were turned and tapered, often reeded and fluted with slender feet. Occasionally legs like the ones found on Hepplewhite are found.
2. Chair backs are generally rectangular, well proportioned with light members, and very well constructed.
3. Chair seats were square but slightly tapered toward the back.
4. Cabinets were tall, simple, but beaurtifully ornamented.
5. The proportions of Sheration are beautiful and very appealing to the eye.
6. Primary ornaments were veneers and inlays, carvings were in the second place and painting was the third place.
7. Predominantly straight lines were used although curves are found on the fronts.
8. Of particular note is that many Sheraton pieces have two functions, appearing to be one but converting to another.
9. Lots of oval motifs.
10. Cabinet tops have modified pediments.
11. Mahogany was the primary wood, also used in the veneers, and used to contrast with lighter woods.
12. Ornament was classic and dainty, much taken from the Louis XVI style.
13. Upholstered pieces showed stiped materials.